Batı'nın En Hızlı Silah Çeken Adamı (1968)

Ülke - ABD 

Dil - Türkçe Dublaj 

Yapım Yılı - 1968

Tür - Komedi, Western 

Alternatif

Man to the Moon (1962) part 1

It is approaching the 48th anniversary of people's first landing on the Moon. So here is a treasury of contractor's drawings, models, and paintings on how exploration of the Moon might work.  Some of these will be very familiar to you but as a massive collection I highly recommend this vision of the future that was being predicted in 1962. I need to break this one into two parts to share as many of these images as I can.

Rush, Hanniford. Man to the Moon: The Wonderful World of Project Apollo. Chicago: Rand McNally and Co. (96 p.) 27 cm. Softcover. 1962

 With lots of photographs of contractor's space art of proposed Apollo designs the text covers the plan to go to the Moon, some of the plans for exploration, Moon colonies, what private life on the Moon might be like, and how we may explore the solar system.  Lots of amazing pictures of Moon domes, Moon vehicles, and civilians on the Moon.

Excellent space gadgets! I like how the author "harvested" illustrations from all over the place. There were so many proposals being considered at that time.

For example here is a great set of proposed mission illustrations.

This drawing isn't very accurate but it is dramatic.

Finally, Here is a handful of "Moon Buggies" to get you around.the Moon.  Part 2 soon!

Akbabanın Üç Günü (1975)

Ülke - ABD 

Dil - Türkçe Dublaj 

Yapım Yılı - 1975

Tür - Gizem, Gerilim 

Alternatif

Both together: Migrations by Gabriel Josipovici

The main reason I still write this blog is to maintain a contact with the need or condition that drove me to read and write in the first place; a need often misdirected in pursuit of what the industry is talking about. Long silences here report stout resistance to the temptations of disinterested reception. But what is this need? Only chance can reveal it, as a fall might graze a knee. So one night at 10pm I happened to be looking for the availability of another book when I noticed a bookseller had priced Gabriel Josipovici's 1977 novel Migrations at £90. My copy is in better condition, I thought, and picked it off the shelf for an inspection.

Beneath the epigram in Hebrew I had written a translation: Arise and go, for this is not your rest (Micah 2:10). Fortunately, it was in pencil and I scrubbed out the words. But why? I have no intention of selling and the copy stands for sentimental memories of my first reading as a student in January 1992: the anonymous protagonist pacing his bedroom, vomiting into a basin, drinking directly from the tap, walking about town under a burning sun, looking into shop windows at bundles of shoes tied together, slumped beneath a lamppost or over a café table with a nearby stranger offering him a cup of tea: Ere, the man says. Av some of mine.

The scenes never stop to clarify a traditional back story, nor even to insert narrative conjunctions, so that the café scene in one paragraph moves straight into another in which the man is pacing to and fro in his bedroom. A scene from adulthood moves then without pause to a scene from childhood, yet not as in stream of consciousness but something less secure, less comforting, not contained within a mind but as if the meaning of each lived moment is sought in repetition and in order to resist the constant migration of mind and self. The apparent distress of the protagonist in this quest is described with a mixture of clinical distance and romantic metaphor and simile.

The bulb hangs down in the middle of the room. It is lit, making the curtainless window appear like a black mirror in which only the blub itself is reflected. But the light is poor and seems to have difficulty reaching the walls of the big room. Even the washbasin and the bed are in shadow.

Silence flows away from him in dark rivers.

Falling backwards, in a wide arc, he stretches out his hand to grip the lamppost and encounters only air. The black sky presses on his face like a blanket.

Everything flows away from him. It flows outwards and away in dark rivers.

The rhythms of repetitions and returns build an uncommon presence, as if the words have been typed directly onto the page, indenting the paper with the urgency and confusion of a writer trying to catch up with the world and himself. So, soon after 10pm, I had started reading Migrations and before midnight I had read 50 pages. And this is why I read: the gifts of chance rediscovery, of being returned to real needs, which is also why I remember Thomas Bernhard, aged 19 and on the edge of death, reading Dostoevsky's The Demons: "Never in my whole life had I read such an engrossing and elemental work ... it had shown me a path that I could follow and told me that I was on the right one, the one that led out".

The elemental in literature is often misconstrued from outré subject matter or writing described as raw and unmediated, yet in Migrations the elemental appears as the subjection of form and content to the logic of its title: constant becoming in constant undoing; constant undoing in constant becoming; the logic of birth and death. So the man is unnamed not in order to protect identity but to loosen the binds of identity, to allow time to colonise the means by which the identified resists time and self erasure. The man senses constant movement in everything around him – when he orders a beer it tastes of urine: "of everything that has been ejected".

The paradox here is that the attempt to inhabit migration in a narrative automatically includes the quest for unity and permanence; a novel is a monument to unity and permanence. Literature takes possession of the elemental, becomes a still point in the hub of its vicious circle and thereby becomes a means to express, analyse and perhaps to lead out of terror and comfort without denying either. The man explains to someone what is like in this space:

–First of all, he says, there is this stifling. This effort to draw breath. As if time had become a blanket someone was stuffing into your mouth and the more you opened your mouth the more blanket was stuffed in and the less chance there was to breathe.
–Go on, she says.
–I–he says. I don't–
She watches him. She smiles. – Go on, she says.
He looks down at his hands.
 –Well? she says.
 –Lazarus, he says.
 –Lazarus?

To be alive is to sense the winding sheets of burial as they take hold and then as they unwind to leave not fresh air to breathe but a pile of dust. Lazarus, he says, embodies despair and desperation, and he, the man without name, embodies the madness of the paradox thrashing beneath the surface of the paper:

What man wants, he says, is to speak in the way as he eats. He wants to cry out, to talk, and then for his words to fill himself and the person he is addressing as substantially as a great big chunk of animal meat. That's what we all want. Not the one, not the other. Both together.

Migrations was Josipovici's fourth novel, with Hotel Andromeda last year being his eighteenth, but very little else compares with its extreme expression of the major themes of his work. At 230 pages it is also by far his longest novel, and yet it is perhaps closest to Everything Passes of 2006, which at 60 pages is by far his shortest. A few years after it was published, Josipovici wrote a short afterword to a collection of his reviews in which he describes the reception of this and two later novels:

It is a shock to any artist who has only thought of getting things 'right', of pinning down that elusive feeling which is the source and end of all creative activity, to wake up one morning and find himself labelled 'experimental'. Yet this is what happened to me.

The Times and the Daily Telegraph, he says, used the term to patronise or damn with faint praise what didn't fit into the familiar round of English novels. Worse, the London Review of Books referred to him as "prominent among those who are anxious to free the novel from any hampering subservience to the outer world" and having "a lingering but still severe case of the Robbe-Grillet syndrome", the first part of which makes no sense with Migrations, steeped as it is in the physical reality of London's streets, unless one assumes the novel should be a branch of reportage. The furore after the publication in 2010 of What Ever Happened to Modernism? and lack of reviews, let alone major awards, for a novel as great as Infinity in 2012 suggests things have not improved. But if, like me, you wish to maintain a contact with the condition that drives you to read in the first place, there is a way to arise and go from such travesties. Watch out for your knee.

Sınavı-Yerim Büyümeye Devam Ediyor!

Merhaba, Sınavı-Yerim neredeyse 2 yaşında! Doğum günümüz 1 Temmuz :)) 

Bugüne kadar büyük bir istekle takip ettiğiniz yazılar, yaptığınız yorumlar için hepinize teşekkür ediyorum.

Bir sonraki hedefimiz ise,
Blog: 1.000.000 TIK
Facebook: 5.000 Takipçi
Google+: 3.000.000 TIK

Hedefe ulaşmamız için yapabileceklerin:

1. Sınavı-Yerim Facebook sayfasını "Takip Et" ve profilinde "Paylaş".
2. Sınavı-Yerim Google+ hesabını "Takip Et" ve profilinde "Paylaş".
3. Bloga destekte bulun.
4. Facebook sayfasında kendi isminle paylaşımlar yap (sınavla ilgili yazılar & motivasyon kartları ve videoları hazırlayarak) sayfanın moderatörü ol (kontenjan 2 kişi).

Şimdiden teşekkürler!

Siegefall APK Free Download for Android

Siegefall APK file is now available for free download on Android phone and tablet. Hardcore fan of strategy or management sim game are in for a pretty cool treat today. Gameloft, the developers behind Despicable Me and Asphalt 8: Airborne, just announced that Siegefall has been released for Android. The game was first unveiled at E3 2015 due to its impressive graphics and long campaign mode. Of course, you can now play this game on your mobile device.

Siegefall Android Game Overview

Siegefall is a strategy game from popular developer Gameloft is now available in the Google Play Store for Android users,  iTunes Store for iPhone and iPad users, and Windows Phone Store. The aim of the game takes you to a mystic world where you need to build your castle, train your troops, recruit a hero, and go out and do battle. Your mission is to try to take over as many regions on the map as you can. Smash the castle gates and leave nothing but rubble behind in the game that makes you builder, strategist and destroyer, all in one!

Here are some of the features you can look forward to in Siegefall:
• Deploy your army and take direct control of your Hero in battle to exploit enemy weaknesses.
• Amass an army of specialized troops including sneaky rogues, horrifying trolls, and heavy-fisted knights.
• Master Magical Cards to enhance your strategy: Launch destructive boulders of fire, freeze enemies and conjure the fire of the Dragon! Dozens of different cards to win for free and enhance the action.
• War is never free, its expensive! Build mines, sawmills and farms within your castle to keep your kingdom’s war effort running.
• Defend your kingdom with strategy! Build defense towers, explosives, traps, barricades and walls to ward off greedy invaders looking to lay siege to your castle.
• Unique Heroes: Unlock rival leaders and their abilities as you progress through the solo campaign. Always choose the right hero for the job!
• Build and upgrade your fort through 4 different medieval ages -- from wood and iron to gold for a diverse game experience!
• Battle with players worldwide and lay siege to their castle for resources in all-out action. And then keep your castle free from their revenge!
• Amazing graphics with stylized art that makes battles epic to watch, while making units and buildings easy to identify

Download Siegefall APK 1.0.0 update

Siegefall is available for Windows Phone, Android, iOS and PC using Bluestacks. For Android platform, this strategy game is available for free download and play with offers in-app purchases to buy game items. Grab now the latest version for free on the Play Store or try the game out for the first time. You can download Siegefall APK 1.0.0 from the direct link given below and then install it on your Android phone and tablet.

Cumalıkızık'tan Botanik Park'a

 Fazla popüler olduğu için, hep gitmeye çekindiğimiz Cumalıkızık köyüne sonunda gittik. Korktuğum kadar turizm acımasızlığına bulaşmamış olduğunu gördüm. Tabi yine de daha önce yapmış olduğumuz yürüyüşlerde karşılaştığımız yaşanan kültürlerin içine girip yaşamak gibi değil. Ekim ayının bize ayırdığı güzel bir günde Cumalıkızık'dan sonra Bursa Botanik Park'a geçtik. Keşke böyle daha çok yere ulaşım imkanımız olsa. Park çok güzel ve gezilesi bir yer. İnsan eliyle yapılan alanların en güzellerinden.Tabi doğayı seviyorsanız... Gerisi Fotoğraf...

 Botanik Park'taki İskender Efendi Konağı