Think of Handke as composer with the inclinations of a Cezanne, to create alternative verbal worlds that stand in an unusual relationship to the world that we inhabit. Handke is also a didactician, a kind of activist Wittgenstein. To live in the age of Goethe is many a Germanist's pipe dream, I am glad to live in a world that at least has one Handke. He nourishes me as no other writer does. A few pages of Handke, one good analytic essay, my friends the smart crows and I forget all about the McDonalds of this world.Elsewhere, and I had meant to mention this yesterday, Alok of Dispatches from Zembla reports on a perplexed reading of Handke's Journey to the Rivers: Justice for Serbia while Antonia of the wonderful flowerville provides the necessary rejoinder.
In my current reading, I've been revising my opinion of Handke's massive My Year in the No-man's-Bay. First time I read it some years ago, boredom reigned. Now it's something like a lucid dream of a world incandescent with signs. By-no-means as great as Repetition, but I can't think of a more beautiful book than that beyond Dante or Proust. Really.
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