15 Mart 2010 Pazartesi

Moon Trip (1958)

Some of you are familiar with the Ley-Polgreen 4 book "Adventures in Space series (Man-Made Satellites, Space Pilots, Space Stations and Space Travel). If not I will have to do a series about those later.

But today it is about a 4 book space series you may never have seen. Michael Chester and William Nephew also did a great series of books about the grand space flight progression. They may be less remembered because while their illustrations are great they used a limited color pallet.

Nephew, William and Chester, Michael. Illustrated by Robinson, Jerry. Moon Trip: True Adventure in Space. New York: Putnam. (63 p.) 23 cm.

This book gives a basic description of rocket theory, astronaut training and how a trip to the Moon could be accomplished.


But this is just the first book in the informal "series" of: "Moon Trip", "Moon Base" (1959), "Planet Trip" (1960) and "Beyond Mars" (1960), all by Chester. In this "quartet" he moves from travel to the Moon to planetary exploration to interstellar travel.


So look for Moon Base later this week.

Reverie hunger

There is, with Joubert, an entire physics and cosmology of dream [...] where he ventures forth, pushed by the necessity of reconciling the real and the imaginary, which tend less to negate the reality of things than to make them exist starting from almost nothing – an atom of air, a sparkle of light, or even only the emptiness of space that they occupy: "Observe that everywhere and in everything, what is subtle carries that which is compact, and what is light holds suspended all that is heavy." We see clearly, then, why poetic language can revive things and, translating them in space, make them apparent through their distancing and their emptiness: it is because this distance lives in them, this emptiness is already in them; thus it is right to grasp them, and thus it is the calling of words to extract the invisible center of their actual meaning. It is by shadow that one touches substance, it is by the penumbra of this shadow, when one has arrived at the oscillating limit where, without disappearing, it is fringed and penetrated with light. But, naturally, for the word to attain this limit and represent it, it also must become "a drop of light," and become the image of what it designates, image of itself and of the imaginary, in order finally to be confused with the indeterminate expanse of space, while still raising to the roundness of a perfect sphere the moment that, in its extreme lightness, it carries and, by its transparency, defines.
from Joubert and Space, translated by Charlotte Mandell.

12 Mart 2010 Cuma

Space Base (1972)


Freeman, Mae B. Illustrated by Mora, Raul Mina. Space Base. New York : Watts. (63 p.)

Although the paintings are reproduced in black and white, Space Base is another of those remembered books. After the moonlandings the next step seemed to be a space station. Surprisingly this is one of the few books about that possible next step.



The book is a story about a child visiting a space station and learning about the construction and use of space stations. I like how the delta-winged ship and the circular station are combined.


The text gives a complete basic description of how the station would be constructed, what power sources they would use, and what life on a space station would be like.



The best part is the many full page illustrations of the exterior and interior of an imaginary circular space station. In some ways this is the last non-fiction book about circular space stations. After this they appear only in fiction.

I like also how the Apollo modules suggest how this station would be used as a transfer point. Of course that ship makes no sense as a trans-lunar vessel since the re-entry capsule is unneccessary (plus it makes for cramped travel).
On the other hand I always though of space travel as a kid's ride. Zero-G vacations anyone?

10 Mart 2010 Çarşamba

From the lexicon of totalitarianism

A notable feature of Latin America over the past ten years has been the emergence of a new kind of left-wing populism, of the paragon is Hugo Chávez in Venezuela. His regime and other usually include some or all of the following ingredients: massive handouts to the poor from the revenue of commodity exports; substantial but selective nationalization not only of foreign, but also of locally owned, companies; the astute use of carrot and stick to keep the existing armed forces in line, along with the creation of an alternative, or "popular", armed force of revolutionary guards; virulent anti-Americanism; and, last but by no means least, a genius for occasioning constitutional change through constituent assemblies, which allow the president to be re-elected indefinitely.
This is the opening paragraph of David Gallagher's review of The Priest of Paraguay in the March 5th edition of The TLS.

Let's run through this sinister catalogue again: the people of these countries get to have a say in the companies that had previously been run from other countries, have an army to protect their democracy, and, like other democracies such as the UK, they're allowed to elect an executive leader more than twice. What's more, the profit from the work of ordinary people goes to ... ordinary people. Don't they also have bankers in desperate need?

And what of this charge of "virulent anti-Americanism"? In what ways are Bolivia, Ecuador, Nicaragua and Venezuela not American? Perhaps David Gallagher means a particular kind of Americanism that is exclusive to one country and is practised by only one country. So, we might ask: have any of the American regimes Gallagher mentions invaded their American neighbours, overthrown an elected American government, installed and supported brutal American dictatorships that use American military power to enforce American anti-democratic industrial relations? Evidently not.

This isn't the first time Gallagher has stained Britain's foremost literary review. (I'm pleased to see Richard Gott respond in the same pages).

For more background, here's an unpacking of the term "anti-Americanism" by someone often accused of it:
The notion “anti-Americanism” is a revealing one. It is drawn from the lexicon of totalitarianism. Thus people who think that the US is the greatest country in the world are "anti-American" if they criticize the acts of the Holy State, or join the vast majority of the population in believing that the corporate sector has far too much influence over government policy, or regard private corporate institutions created by state power and granted extraordinary rights as "a return to feudalism" (to quote old-fashioned conservatives, a category that now scarcely exists). And so on.

In totalitarian societies, the usage is standard. In the former Soviet Union, for example, dissidents were condemned as "anti-Soviet" or "anti-Russian." Where a democratic culture prevails, the usage would be regarded as comical. If people who criticize Irish government policies were condemned as "anti-Irish," I suppose people would collapse in ridicule in the streets of Dublin. At least they should.

The notion has an interesting history. It traces back to King Ahab, the epitome of evil in the Bible, who denounced the Prophet Elijah as an “ocher Yisrael” (a proper translation, now used in Israel, is "hater of Israel"). His reason was that Elijah condemned the acts of the evil King, who, like totalitarians since, identified the state (himself) with the population, the culture, the society.

People are entitled to revere King Ahab and Soviet commissars, and to adopt the term "anti-American," on their model. But we should have no illusions about how they are choosing to identify themselves.

Children and Journalists

Some have criticised the lack of sophistication in Makhmalbaf's film, but it's a sobering reminder of the extent to which the harshness of life has enabled the Taliban influence to persist – even after the liberation – and of how children can be persuaded to accept anything as truth.
From The Radio Times.

9 Mart 2010 Salı

Kaydıraktan Düşen Panda


Ah ne çok benziyorum bu hayvana ben. Düşülmesi neredeyse imkansız o kaydıraktan düşüyorum sonra bir bakıyorum kendime ulen ne işim var benim burda diyorum. Ben kaydırağa binmem ki. niye burdayım? neden ayaklarım havada? öte yandan ne sebeple bu düşüşler? hayat...

Intra-Space Stamp Album (1953) (Part 1)

OK here is my latest "catch". It is a 1953 "stamp" album produced with the
supervision of the Director of the Fels Planetarium, I.M. Levitt.It consists of facts about the planets and amazingly detailed stamps for all the different ways you could travel between the planets via the regular rocket liner service.


I think the educational goal of this particular item got out shown by the artist who designed the stamps. Each one is a little engraved masterpiece.


Also there were 8 or 9 stamps designed for each planet (plus the Moon) so the whole book has over 80 different space flight stamps. Here are the Earth stamps:




And here are the Moon stamps:



This is a unique little item. The creator of the book had a plan so each planet has its own currency, its own shuttle services, and many illustrations of astronauts, different rockets, and space stations. It was designed like a stamp album so the reader had to glue stamps in on each page in the correct spot. Opposite each page of stamps was an information page about that planet. Here is the page for Mars:




I suspect that only myself and my loyal readers can really dig how amazing this little booklet is. Here is Saturn and Pluto:

UPDATE JULY 28, 2010 See part 2 of this post: http://dreamsofspace.blogspot.com/2010/07/intra-space-stamp-album-1953-part-2.html